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| Contents |
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| Peter Blake | |
Cover Page Peter Blake and Ambit have been at it for 25 years |
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| Martin Bax | |
Editorial |
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| Fleur Adcock | |
Witnesses |
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Post Office |
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| Tom Aitken | |
Three Viennese Sonnets 1 Grinzing |
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Three Viennese Sonnets 2 The Helden-Platz |
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Three Viennese Sonnets 3 The Klimt Room In The Belvedere |
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Nocturne |
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The Facts of Death |
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| Robert Angus | |
Crowscarer |
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Dictionary Of Birds |
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A Glimpse Of The Park |
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Massacre Of The Innocents (Bruegel 1566) |
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I Remember Very Well |
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I Myself Slipped the Cable |
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| J.G. Ballard | |
Answers to a Questionaire |
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| Martin Bax | |
Beds |
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| Taner Baybars | |
Different Voices of Separation |
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Storm Over The Dordogne |
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The Fens |
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| Oswell Blakeston | |
Prose Poem One |
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Prose Poem Two |
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Still Life |
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The Present |
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Recollection |
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| Peter Blake | |
James Joyce in Paris (1) |
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James Joyce in Paris (2) |
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James Joyce in Paris (3) |
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James Joyce in Paris (4) |
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James Joyce in Paris (5) |
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| Edwin Brock | |
That Beauty, This Beast |
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A Letter To Jim Burns |
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Happy Families |
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A Lesson In Economics |
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| Jim Burns | |
A Young Poet's Fancy |
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The Benefits |
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Mr. & Mrs. Wilton At Home |
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from: Proletarian Nights |
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| Francis Cairns | |
Owl |
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Eulogy Of A Nut-Seller |
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Claughton Vine |
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| Julia Casterton | |
To The Man |
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Four Figures On A Shoreline |
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Wivenhoe Landlady |
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Allotment |
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Grandfather (India, Khartoum, Ireland) |
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| Ivor Cutler | |
A Square Deal |
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I Stopped It |
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| Les Coleman | |
Drawings (1) |
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Drawings (2) |
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Drawings (3) |
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Drawings (4) |
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Drawings (5) |
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Drawings (6) |
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| Tony Dash | |
Moussorgsky's 'Pictures At An Exhibition' (In my rented bungalow) Promenade |
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Moussorgsky’s ‘Pictures At An Exhibition’ (In my rented bungalow) Promenade/Old Castle |
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Moussorgsky’s ‘Pictures At An Exhibition’ (In my rented bungalow) Promenade/In the Tuilleres Garden |
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Moussorgsky’s ‘Pictures At An Exhibition’ (In my rented bungalow) Bydlo |
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Moussorgsky’s ‘Pictures At An Exhibition’ (In my rented bungalow) Hut On Fowls Legs |
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Moussorgsky’s ‘Pictures At An Exhibition’ (In my rented bungalow) The Great Gate Of Kiev |
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| Peter Blake | |
Blanche Neige et Bet Noir |
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| Anthony Davies | |
'Series of Self Portraits 1982/83' - 'The Mercenary' |
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The Return of Big Tone |
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| Chris Orr | |
Convictions in the Kitchen |
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The Zon Coliseum |
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| Chris Plowman | |
Desk of Confusion |
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Untitled |
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| Patrick Procktor | |
The Canoeist, West Lake, Hangchow 1980 |
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| William Scott | |
Composition |
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An Orchard of Pears No. 2 |
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| David Tindle | |
Afternoon Light |
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Window Clipston 1981 |
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| Helen Wilde | |
Untitled |
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| Philip Crick | |
Libretto For A Soap Opera |
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| Mark Foreman | |
The Motorman |
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| Coleman Dowell | |
Kitty |
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| Eugene Dubnov | |
Poem Translated by Eugene Dubnov and Carol Rumens |
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Homage To John Milton Translated by Edwin Morgan |
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Poem Translated by Eugene Dubnov and Peter Porter |
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Be Silent, Grass For Joseph Bein Translated by Eugene Dubnov and C. Newman |
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To The Memory Of Pushkin Translated by Eugene Dubnov and John Heath-Stubbs |
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The The Shallow Brook For T.D. Translated by Eugene Dubnov and C. Newman |
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| Carol Ann Duffy | |
Dreaming Of Somewhere Else (For H.G. In Liverpool) |
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The B Movie |
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A Healthy Meal |
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| Robert MacAulay | |
Illustration |
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| Gavin Ewart | |
The Irritation Of Life |
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Love Talk |
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Sonnet: The Daytime Mugging In The High Street |
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The Salami |
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At The Dacha |
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Challenged by Brian Patten to Find a Rhyme for 'Orange' |
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| Michael Foreman | |
Windows (1) Fishing Fleet Off the North Cap, Norway |
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Windows (2) Seaview Hotel (coloured) |
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Windows (3) 10th March 1985 |
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Windows (4) Barbara's window, New York |
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Windows (5) Kuwait - windows of the water towers, 1980 |
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Windows (6) Kyoto teatime Oct 1982 |
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| Diane Fahey | |
Dracula |
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Assignation |
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So Far No Further |
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| Roger Finch | |
Body Games |
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A Television Actor Enters the Room |
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| Henry Graham | |
Ozy |
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Allegro Ma Non Troppo |
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Quartet for the End of Term |
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| Adrian Henri | |
Morning, Sunset Heights |
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Alice/Early Autumn |
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Liverpool, September for John Moffatt |
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Honeysuckle |
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Four Studies of Dieppe for the painter Nicholas Horsfield |
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| David Hockney | |
Four Portraits (1) A Boy named Yves Marie |
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Four Portraits (2) Ian |
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Four Portraits (3) Jonathan Brown |
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Four Portraits (4) Henry Moore |
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| Christopher Logue | |
Bliss, bliss |
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Ipse Dixit |
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I like to think |
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| Vanessa Jackson | |
(Blocks for Centos) |
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| James Laughlin | |
The House of Light |
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Will We Ever Go to The Lighthouse? |
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El Camino de Amor |
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To Smile Or Not To Smile |
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In Hac Spe Vivo |
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Is It Written |
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What Is It Makes One Girl |
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Cultural Note |
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The Cardiac Autoscope [ADVERTISEMENT] |
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| Patrick Hughes | |
These Hearts Belong To Patrick Hughes (1) |
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These Hearts Belong To Patrick Hughes (2) |
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These Hearts Belong To Patrick Hughes (3) |
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These Hearts Belong To Patrick Hughes (4) |
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| Rod Judkins | |
Drawings (1) |
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Drawings (2) |
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| Herbert Lomas | |
Portrait of a Lady |
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Keith Vaughan’s Last Journal |
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from At Southwark Cathedral |
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| Edward Lowbury | |
Sestina - Morgan’s Nightmare |
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| George MacBeth | |
September Walk |
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| E.A. Markham | |
Expat. 3rd Class |
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| Rupert Mallin | |
The Strange Case Of The Lavatory Funnel |
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Upon A Wedge Of Sand |
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Drumming The Shade |
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| Gerda Mayer | |
Coming Up For Air |
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Funereal |
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How We Hate |
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Television Interview: Winnie Wagner On ‘Wolf’ |
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| Russell Mills | |
Imagic Echoes 1. MacGowan: Nisus |
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Imagic Echoes 2. Whitelaw: Sfumato |
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Imagic Echoes 3. Magee: Cadence |
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| Michael Moorcock | |
The Seventh Hollywood Letter |
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| Felicity Napier | |
The Appointment |
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Little People |
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| Geoff Nicholson | |
Big Blondes An illustrated history of the Volkswagen |
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| Blaise Thompson | |
Drawings (1) |
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Drawings (2) |
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| Jorge Oliva | |
Three Poems in the Loneliness of Columbia University 1 Fable of the Castaway who Turned into an Ant Translated by A. C. Tucker |
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| Joge Oliva | |
Three Poems in the Loneliness of Columbia University 2 Keep this day Translated by A. C. Tucker |
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| Jorge Oliva | |
Three Poems in the Loneliness of Columbia University 3 Between the lines of an old song Translated by A. C. Tucker |
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The Crow Translated by A. C. Tucker |
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| Eduardo Paolozzi | |
Sets for a Film of Herschel (1) |
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Sets for a Film of Herschel (2) |
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Sets for a Film of Herschel (3) |
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Sets for a Film of Herschel (4) |
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| Liz Pyle | |
Drawings from The Tempest Ariel: 'I flamed amazement: sometime I'll divide and burn in many places...' |
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Drawings from The Tempest Caliban |
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Drawings from The Tempest Ariel, Prospero and Sycorax |
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Drawings from The Tempest Prospero and Caliban |
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| Peter Redgrove | |
By The Seaside |
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The Litter |
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Clowns |
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Taking Off |
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Amps |
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| Laura Knight | |
Drawings (1) |
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Drawings (2) |
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Drawings (3) |
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| Harriet Rose | |
On The Train There Were Cows |
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| Vernon Scannell | |
Film Shooting |
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| Ken Smith | |
And Other Tales |
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The Blinding |
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| Charles Shearer | |
Drawings (1) |
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Drawings (2) |
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Drawings (3) |
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| Trevor Wadlow | |
Valentino, Just Before He Died |
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| Mark Foreman | |
Drawing |
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| Carolyn Smart | |
Afterwards |
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Poem ‘IT WAS SO COLD, I ALMOST GOT MARRIED’. GRAFITTI |
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| Ron Sandford | |
Portraits Foreman Cushioned at Fulham - March '85 |
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Portraits North British Engineer / Greenock Feb '84 |
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Portraits Engineer's Wife / Greenock Feb '84 |
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Portraits Woman on a bed / Kentish Town March '84 |
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Portraits Wild Bunch Jan '83 |
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Portraits Night Bax at Highgate, March 6 '85 |
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